Archive for the 'Broadband' Category

Sky Player extends to Fetch TV and Windows 7, but restricts premium content rights

With Sky Player in the news over its deal with FetchTV, as well as with the Windows 7 Media Center, I thought I’d take another look at the platform. I had installed it on my PC when the product was originally launched, but was rather worried at the instability it seemed to introduce, and subsequently removed it.

I was particularly interested in how my rights to view Sky content via DTH would be replicated online. For background, I am a Sky HD subscriber, with my old Sky+ PVR consigned to the bedroom as part of Sky’s Multiroom deal. In other words, the entirety of my Sky package can be viewed and recorded on either my living-room or my bedroom TV (barring HD programmes, of course), with the same content potentially viewable simultaneously on both.

Just as with the BBC’s iPlayer, you don’t need to download software to watch programming - you can watch it through your browser. However, the download experience, which uses secure peer-to-peer software from Kontiki, should offer better quality playback, depending on the quality of your broadband connection.

Anyway, this is how it works. When you first install the software, Sky registers that PC by default as your main one. You are in fact allowed to install the software on up to four different devices (although Sky is somewhat ambiguous on this point: both in the licence and at one place in the Sky Player website, it says you can only install the software on one device, which is clearly wrong).

‘Device’ includes ‘X Box Player’, but let’s assume here we are talking about PCs. Defining one PC as your main one means that PC has more rights than the others: for instance, you can only watch Sky Movies and Sky One programmes on that computer. Moreover, you can only change the range of registered devices (and that includes changing which one is designated as the main one) once every 30 days.

This is the first major way in which rights are more restricted in an online environment than the satellite TV one, since Sky Multiroom in principle allows you to watch exactly the same content on one STB as another - viz. that content you’ve paid your subscription you to watch.

The second way in which rights are more restricted is that Sky Player does not allow you to view the same content simultaneously on two devices - even if we’re talking about non-Sky Movies and non-Sky One programming. Multiroom doesn’t stop this happening.

The third way is that it restricts the storage time of the programme. For instance, I can, say, keep a copy of Stargate Universe on my two Sky+ PVRs (HD and SD) for as long as I wish to. On Sky Player, it’s currently restricted to six days.

These features underline a general trend in digital media: once you move out of a traditional broadcast or physical media environment, you’re usually allowed to do less with the content you’ve paid for than you were before.

This is particularly relevant in the Sky Player example, since the platform also allows non-Sky subscribers to sign up and pay to watch Sky programming - without a satellite subscription, for roughly similar costs. Presumably, this is the model about to be extended to Windows 7 Media Center and Fetch TV boxes.

So although users have the extra benefits of being able to watch catch-up and on-demand TV, in terms of what you can do with the content, it’s an inferior experience. Such restrictions could be viewed, perhaps, as a way of encouraging consumers to trial the service online before upgrading to satellite. It’s also worth pointing out you can’t get HD quality online.

What’s really interesting about Sky Player, though, is that all these sophisticated controls are being applied to premium content using software-based security protection, without the need for a smartcard. Those with long memories will recall that Sky’s online service had to be temporarily suspended back in 2006 after the Microsoft DRM system it uses was compromised - something which has never happened to the smartcard-based NDS VideoGuard system used on Sky’s satellite platform.

But in a way, the fact that the online service bounced back so quickly proves the point: a two-way always-on environment in which content security software can be dynamically upgraded (or even completely replaced) over broadband in the event of a breach doesn’t require a hardware-based conditional access solution.

Indeed, as Farncombe - the company which hosts this blog - argued in a recent White Paper, hybridisation of broadcast platforms and the Internet suggests the traditional pay-TV industry will gradually move towards software-based solutions for this reason. These can offer a higher level of security than hardware-based ones if properly configured.

More on this topic on Monday, when Farncombe will release a second White Paper on Conditional Access.

IBC Report - Microsoft considers Canvas as possible Mediaroom feature

Microsoft is considering supporting the UK Canvas specification - backed by a BBC, ITV and BT joint venture - as a possible feature of its Mediaroom IPTV suite, but only if it is genuinely open.

The suggestion came from Ted Malone, senior director of product management for TV, video, music and platform business at Microsoft, when Connected TV met up with him at IBC.

“If it proceeds as an open approach,” said Malone, “we could add support as a feature of Mediaroom.” Malone said that Microsoft would be paying close attention to the Canvas specification, when it finally emerges, to see if it included any proprietary standards. If so, Microsoft would not consider it to be “an open format.”

Malone declined to comment on what role BT Vision might play within the Canvas venture (a source of considerable speculation at IBC) , but, since this incorporates Mediaroom technology, albeit in a limited implementation, it does suggest one way in which the hybrid concept could be extended to accommodate Canvas. That, of course, will depend on what technology elements the Canvas venture eventually decides to incorporate in its specification, and whether it gets regulatory approval.

Malone pointed out that Microsoft was itself in the process of refashioning Mediaroom to make it a more open platform: for instance, he said, the current Windows Media Player DRM used in its IPTV suite was viewed as having reached the end of its working-life. It would now be replaced by PlayReady, a next-generation DRM product which is already part of the Silverlight platform.

This would make it easier for a Mediaroom set-top box to stream protected video content to other devices in the home. “We’re looking to migrate all of our proprietary DRM [to PlayReady],” Malone said.

The move reflects increasing convergence between the Mediaroom product - intended for managed IPTV platforms - and Microsoft’s ‘over-the-top’ technologies. For instance, Mediaroom will be extended to support Silverlight itself as well as the PlayReady DRM it incorporates. It will also adopt Microsoft’s Smooth Streaming technology. This adapts the quality of the video stream in real time, based upon the consumer’s changing bandwidth and the performance of his or her device, to minimise buffering time and offer faster startup times.

“Mediaroom will embrace these and extend the reach of the Mediaroom service,” said Malone.

Connected TV views this as a natural progression: as the performance and reliability of consumers’ broadband links increases and offers a video experience more akin to that of a managed IPTV network, the need for Microsoft to support two entirely distinct product lines is disappearing.

IBC Report - HBBTV set for pre-Christmas German retail launch using Humax and Kaon boxes

Hybrid Broadcast Broadband TV (HBBTV) - a European hybrid DVB/IP platform backed by the European Broadcasting Union (EBU) - is due to be implemented in Germany in time for Christmas this year, using retail set-top boxes manufactured by Humax and Kaon. Launches will then follow in Q1 2010 in Austria and Switzerland.

Richard Baker, executive vice president of sales and marketing at ANT, a TV software solutions provider, laid out the schedule for the implementation of the new specification during a demonstration of the system to Connected TV this morning on the EBU stand. This used broadcast HD content from the German free-to-air satellite platform and a 2MBit/s ADSL link, running on a Kaon receiver.

The system was first demonstrated by public broadcaster ARD in association with the Institut für Rundfunktechnik (IRT) at the IFA show in Berlin a week ago. ANT’s role in the demonstration is the contribution of its Galio Suite, which now contains extensions which make it the first platform to implement the full HBBTV specification.

The three HBBTV use-cases shown at IBC were:

1) A combination of Teletext (written in HTML, CSS and Javascript) and HD broadcast content

2) Broadcast applications which can invoke additional material associated with a channel (i.e. calling up a new streamed OTT video)

3) Access to web services and third party content

In order to access such applications, the remote control used includes an extra Web TV button in addition to the standard coloured ones. Interestingly, the same content can be arrived at through use-cases 2) and 3). In the example Connected TV was shown, the red button could be used within a live broadcast to call up a menu from which a live video stream could be ordered (in this case a trailer for some ARD content), using HTTPS over the broadband connection.

Using the red button to access a Web-based entertainment portal, however, gave access to a separate list of streamable OTT content which included the same ARD trailer as mentioned above.

Asked if British players were interested in merging their rival proposals (namely the BBC/ITV/BT hybrid platform Canvas and the DTG’s D-Book 6/7) with HBBTV, Baker was diplomatic, saying only that ANT and its partners had entertained “an open dialogue with the BBC [about Canvas]. If we have the opportunity to support the desires of the BBC, we’d be very happy about that,” he said.

Microsoft and Tesco partner for UK launch of downloadable ‘virtual DVDs’

We kick off our IBC blogging today with a story about a tie-up between UK supermarket giant Tesco and Microsoft in the UK, who announced this morning that they jointly plan to offer a service this autumn which would allow DVD and Blu-ray quality ‘virtual DVD’ copies of movies to be downloaded for replay on PCs and Macs.The new service, built on Microsoft Silverlight technology, will include interactive features and other add-ons which the partners claim will offer a viewing experience that “goes beyond other digital playback products in the marketplace.”

The basic idea itself is not entirely new, in that it only applies to Tesco customers purchasing certain home video titles from their stores. So in addition to watching them through their DVD players on the TV screen, they will also be able to download a digital copy to a PC elsewhere in the home.

What is new, arguably, is making the DVD ‘bonus’ features available in this way on downloadable content, closing the gap between what is available on a physical disk and a virtual copy. The other significant aspect of the deal is simply that it involves Tesco - one of the UK’s home video sell-through giants. They have enough market power to firmly embed such a service in the UK market, providing it appeals to their customers.

One might also suggest that - if what is being offered is really ‘Blu-ray’ quality in some cases (which will involve quite a lengthy download!) - the (unidentified) Hollywood majors backing the venture appear pretty confident about using a software-based DRM system such as Microsoft’s to protect digital versions of HD premium movie content.

Microsoft hopes to extend this Silverlight-based concept to other markets in due course.

At IBC, Connected TV will be meeting Gabriele Di Piazza, senior director for the Media & Entertainment business in the Communications Sector at Microsoft, to quiz him about the new service and other recent developments.

We plan to post live from the show.

Farncombe: Pay-TV shift to two-way networks will mean move away from smartcard-based conditional access systems

Farncombe Consulting Group, which hosts this blog, has just published a new White Paper on how the Digital TV Conditional Access sector will be affected by the shift towards broadband-enabled pay-TV networks.

Written by Farncombe’s own highly-experienced group of in-house video security experts, the White Paper assesses the pros and cons of using smartcard-based and cardless systems in different types of pay-TV set-up, ranging from traditional one-way broadcast TV operations to broadband-enabled two-way IP and connected home networks.

The paper concludes that while smartcards continue to remain the solution of choice for protecting one-way systems, cardless-based solutions are preferable for protecting video content in IPTV, ‘over-the-top’ and home networking contexts.

For one-way networks migrating to broadband connectivity, meanwhile, both types of system have their advantages, depending largely on the availability, reliability and quality of the broadband network.

The White Paper’s authors go on to suggest that since the traditional one-way pay-TV world is slowly but surely changing into a two-way one, it is likely that there will be a gradual shift away from smartcard-based systems in favour of cardless ones - led by the digital cable sector.

A PDF of the new White Paper can be obtained from Farncombe by clicking here and filling in a simple registration form.